The New Grand
...old-world elegance with new world performance
© 2011 Fandrich Piano Company, Inc.
Concept
Many years ago we rebuilt a Chickering pianoforte built in the 1860s. This
was a beautiful, flat-strung grand having a slender, elegant shape that was
just one evolutionary step from the earlier, mostly wood-framed
fortepianos of the early 1800s. I have encountered several of these
wonderful pianofortes over the years and both their sound and their
aesthetic have caught my attention. Throughout my career as a piano
designer I have wondered what a modern version of these pianofortes
might be like. The instrument we are building now--the new Fandrich
pianoforte--is my interpretation of a direction piano development might
have taken had we not allowed ourselves to be caught up with the notion
that bigger and more massive is always a good thing. And that acoustical
power is more important than musical subtlety.
Aesthetics and size
The new Fandrich pianoforte is designed to be a modern
interpretation of those wonderful transitional instruments
that appeared roughly between 1840 and 1870. It is not a
reproduction of these instruments but a thoroughly modern
instrument; indeed, it is one of the most technologically
advanced pianos available today. It just happens to share the
slender aesthetic and musically dynamic elegance of an
earlier age. The new Fandrich 2.5 m (8’ 2-1/2”) pianoforte
takes up about the same floorspace as a conventional 225
cm (7’ 4”) grand. And it is about one-third lighter.
Performance and voice
These instruments have relatively low-tensioned scaling.
Consequently they use exceptionally light, yet
extraordinarily stiff, soundboards and bridges. (More will be
written about this in the near future.) Because of this
combination of scale and soundboard they use
proportionately lighter and softer hammers. The action uses
the new Wessel, Nickel & Gross composite action
components.
Because the hammers
are relatively light,
action inertia is
relatively low and the action ratio is some
higher than is common in the modern piano.
This gives a keytouch that is very quick and
very responsive to the artist’s touch. These
are concert-level instruments designed for the
real-world home.
Watch this space for periodic progress
reports.